Intervals
Every interval with semitones, steps, inversion, notation, keyboard and a song that opens with it. Plus the counting rule and what major, minor and perfect mean.
An interval is the distance between two notes. It has two measures: the steps give the name (second, third, fourth …), the semitones the size (minor, major, perfect). The third C–E and the third C–E♭ share a name, but one has four semitones and the other three.
- 0Unisonthe same note twice
- 1Minor second»Für Elise« or »Joy to the World«, the first two notes (downwards)
- 2Major second»Frère Jacques« or »Silent Night«, the first two notes
- 3Minor third»Greensleeves«, the first two notes
- 4Major third»Oh When the Saints«, the first two notes
- 5Perfect fourth»Amazing Grace« or »Hark! The Herald Angels Sing«, the first two notes
- 6Tritone»Maria« from West Side Story or the Simpsons theme, the first two notes
- 7Perfect fifth»Twinkle Twinkle Little Star« or »God Rest Ye Merry, Gentlemen«, the first two different notes
- 8Minor sixth»The Entertainer«, in the main theme the leap after the first three notes (E up to C)
- 9Major sixth»My Bonnie Lies Over the Ocean«, the first two notes
- 10Minor seventh»Somewhere« from West Side Story, the first two notes
- 11Major seventh»Take On Me«, the leap in the chorus
- 12Octave»Somewhere Over the Rainbow«, the first two notes
How to count
Count both notes: C–E is C, D, E — three steps, so a third. Then count the semitones on the keyboard: C–E is four, C–E♭ is three.
Major, minor, perfect
Unison, fourth, fifth and octave are called perfect: they come in only one size within the scale. Second, third, sixth and seventh come major and minor — the minor one has one semitone less. The tritone is the exception: six semitones, exactly half an octave, written as an augmented fourth or a diminished fifth.
Inversion
Move the lower note up an octave and you get the inversion. The steps of both add up to nine (third and sixth, second and seventh, fourth and fifth), the semitones to twelve. Major becomes minor, perfect stays perfect.
Consonance and dissonance
Unison, fourth, fifth and octave sound at rest (perfect consonances), thirds and sixths at rest with colour (imperfect), seconds, sevenths and the tritone want to move on (dissonances). That is no judgement: music lives on tension resolving.
Ear training: hear intervals and guess them · All terms in the glossary
Anotona does this for you
Photograph a page of sheet music or play the melody — Anotona finds the key, engraves the notes and transposes them into any other. Free.
See AnotonaEvery note on this page is computed, not typed in — following the rule that also makes F# major spell its seventh degree E#, not F.